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Articles by Marta Ramon

10
Catching Up With

Maria Schneider on "The Thompson Fields"

Read "Maria Schneider on "The Thompson Fields"" reviewed by Marta Ramon


Maria Schneider is one of the most influential artists on the international jazz scene. Her open minded approach has led her to become a referent as a composer without being tagged to a specific genre. In the jazz panorama, she receives recognition for her impeccable, beautiful and meaningful compositions as well as for her passionate and determined work as a conductor of her orchestra. The Thompson Fields (ArtistShare, 2015) marks the first Maria Schneider Orchestra release in eight years. With ...

12
Catching Up With

Mark Turner and Avishai Cohen: Harmony Without Chords

Read "Mark Turner and Avishai Cohen: Harmony Without Chords" reviewed by Marta Ramon


Saxophonist Mark Turner and trumpet player Avishai Cohen have been playing together since 2010. Both are accomplished jazzmen and representatives of the avant-garde scene. They shared a stage as part of the San Francisco Jazz Collective and also in Turner's quartet, including bassist Joe Martin and Marcus Gilmore on drums. After thirteen years, Turner finally launched an album as a leader, Lathe of Heaven (ECM, 2014). The pair visited Valencia, Spain and took time to speak with All ...

37
Album Review

Nu-Roots: Nu Tunes & Old Tunes

Read "Nu Tunes & Old Tunes" reviewed by Marta Ramon


Nu-Roots multiplies itself with the potent Nu Tunes & Old Tunes. After six years working together, this acclaimed band has launched its third album, one of the most powerful recordings in the current Spanish jazz scene, and one that has definitely established the personality of the band. The record is, in itself, an explosion of the knowledge and control that has accompanied the lives of the three great musicians in this influential group. Nu Roots has focused in ...

12
Album Review

Mike McKoy: Ludwig Manhattan’s Germaican Blues

Read "Ludwig Manhattan’s Germaican Blues" reviewed by Marta Ramon


This is not a conventional jazz album because this is not just a jazz album. Ludwig Manhattan's Germaican Blues melds together the blues feeling with literature and a strong social philosophical idea: “Could you bloom, wherever you'd been planted?" Apparently, this audio-book experiment has been inspired by Mary Flannery O'Connor's writing The Life You Save May Be Your Own (Harcourt, 1955), a motivating premise that has guided his author to start a personal intimate trip to find himself through music. ...

12
Album Review

The Eric Ineke Jazzxpress: Cruisin'

Read "Cruisin'" reviewed by Marta Ramon


A strong hard-bop soul shapes this album. Throughout his long career, charismatic drummer Eric Ineke has shared the stage with many great figures from the 50's and 60's like Hank Mobley, Dizzy Gillespie and Freddie Hubbard. Ineke, an authentic musician, has consistently followed this beating-feeling and allowed himself enough freedom to develop it over the years. Cruisin' is an energy explosion from beginning to end. The band, complimented by prominent Dutch jazz men, have established an original personality ...

53
Interview

Avishai Cohen: From Darkness, a new trio studio album

Read "Avishai Cohen: From Darkness, a new trio studio album" reviewed by Marta Ramon


Avishai Cohen is prolific in music and words, a creative volcano who finds his raison d'être melting with the heart of his wooden instrument. Cohen, who arrived at the forefront of the jazz scene being part of the Chick Corea Sextet “Origin" (from 1996 to 2003), has developed a unique voice and personality as a bassist, but also as a composer and singer. Internationally renowned because of his Trio, accompanied by the pianist Shai Maestro and the drummer Mark Guiliana, ...

10
Album Review

Jan Sturiale: Electric Water

Read "Electric Water" reviewed by Marta Ramon


Jan Sturiale returned to the studio with a new quintet formation. Recorded at Tritone Studios, in Los Angeles, this is Sturiale's most international work, as much in the recording locations as in the musicians (and the featured vocalist) which shape his quintet. In this record, Electric Water (Drawtheline Records, 2014), he keeps developing his compositional language into a more accurate one. Equilibrium is a term that better defines the final result of the nine tunes here that show ...

6
Catching Up With

Perico Sambeat: More Than He Could Imagine

Read "Perico Sambeat: More Than He Could Imagine" reviewed by Marta Ramon


Perico Sambeat is one of the most famous Spanish sax players around the world. Before he got special recognition in 2003 when he won the Bird award at the North Sea Jazz Festival, he had been working internationally for more than twenty years. This eclectic jazz musician has a rich discography both as a leader and as a sideman which includes different styles, from the straight ahead to Latin, hip hop or flamenco-jazz. This lively mind is always ...

3
Album Review

Jan Sturiale: Do not disturb The Peace

Read "Do not disturb The Peace" reviewed by Marta Ramon


Do not disturb The Peace sets out the formation in which Jan Sturiale envisages his music. This guitarist makes a step forward and changes the trio format from his previous CD, Strange Meetings (Drawtheline Records, 2009), to a quintet, which gives a complete body, harmoniously and melodically, to his compositions. The ten tunes on this album show Sturiale's musical personality through a constant connection with a rock essence that meets with a contemporary jazz language. But there is ...

5
Catching Up With

Ferenc Nemeth: Openness for Triumph

Read "Ferenc Nemeth: Openness for Triumph" reviewed by Marta Ramon


Ferenc Nemeth's versatility has positioned him in the front line of jazz drummers today. This Hungarian percussionist has developed a recognizable sound which has, over the years, resulted in his sharing the stage with renowned international jazzmen like saxophonists Wayne Shorter, Mark Turner and Chris Cheek, bassist Christian McBride, bassist John Patitucci, vibraphonist Dave Samuels and many others.When Nemeth sits in front of the drums his attention is completely focused on his colleagues' needs to lead the music ...


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